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Karen
began her journey to a career as a professional artist with
education in fashion design and the visual arts. But journeys
always seem to twist and turn a bit. Karen's love has come to
be here in the realm of fabric art with a forte in the use of colour.
In 1990 Karen Brodie
Designs was formed in Vancouver,
B.C. Karen started out custom
sewing and mass producing a gift line. The first commissions in
Liturgical Art presented themselves at this time. Since then,
Karen has been commissioned extensively by professionals, clergy, and
churches of many denominations to create unique fabric artwork.
In 1995, Karen premiered
her custom designed work in exhibition at Regent
College's Gallery in Vancouver,
B.C. At that time, she launched a Limited Edition set of stoles
for the seasons of the church year, which have been sold throughout
North America. These stoles, although shown on this site under
Gallery of Commissions, are nearing sold out status.
In 1997, Karen moved her business to
the beautiful Rocky Mountains of Golden, B.C. to pursue a life with
her husband, Michael Archibald. At this time she also exhibited
in the art show of the meeting of General Council of the United
Church of Canada. Karen was commissioned in 1999 to design a
stole to be worn by the President of B.C. Conference of the United
Church of Canada.
Since 2001, Karen has created a new
line of stoles. This line has been inspired by an interesting written
account of a year live in faith called "Things
Seen and Unseen" by Nora
Gallagher. In addition to this new line, Karen continues to be
commissioned to create custom antependia for the pulpit and lectern,
stoles, wall hangings, communion table frontals and various other
ecclesiastical designs. During the past year, Karen has been
inspired to create custom artworks depciting individuals' lives in
wall hanging form for home use. Look for an exhibition in the
near future of her secular, but faith-based art.
When asked about the
process of designing, Karen believes she becomes a vessel for
stories, symbols, traditional elements, movement and emotion.
Karen feels that no matter what areas she may work in, or who she may
work with, her art will portray a sense of spirituality and awe for
God and creation. Her own faith is molded and shaped as she
more deeply understands God working through her. Karen believes
it is a part of her job, as the artist, to draw this depth and
meaning from the people she works with. This becomes the
inspiration for her art.
"I open myself to each new
expression, new perspective to portray, and new inspiration"
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